"I'm going to sit, because I'm fat. I hope you're drinking stuff," Guillermo del Toro said as he took the stage at the Bagdad last night. Ostensibly he was there to read from his new book, but what really happened was this: del Toro talked about his book for like 10 minutes, then opened it up to questions for the next hour or two, talking about everything from the book (conceived "before vampires were teenybopper dreams"), to how the Hellboy comics saved his life while he was shooting Mimic, to Hitchcock (did you know he wrote a book on Hitchcock? Me neither).
I took notes. In no particular order:
• The bloody, pulpy Strain Trilogy was originally going to be TV series on FOX, until studio executives asked del Toro a question: "Yeah, but can we have it as a comedy?" Del Toro asked for his script back.
• When asked about he assembled his filmmaking team: "I draw and sculpt, but I'm not a great sculptor, I'm not a great draftsman. So you hire people who are better than you, and you are loyal to those people... The rule is to work only with people you admire or you love. Or both."
• "When you tackle a 'B' premise, you need to tackle it like an 'A' premise," he said, noting this is the case regardless of what you're working on, even if it's something like Blade II, which some people (incorrectly) assumed was a "paycheck movie." "I'm not postmodern," he said later. "I absolutely hate being smarter than my material." He's excited beyond belief to do The Haunted Mansion for Disney, a ride he's been collecting ephemera from for years. "The flavor of that ride is unlike anything else in the world."
• On adapting other peoples' work: "Once the material is out, it belongs to all of us." And: "Adapting material is like marrying a widow. You have to be very respectful of the late husband's memory, but at some point you've gotta fuck."